So, Lucy did it again. This new friend, this musician/poet, pops up to say a few words and somehow she just knows.
Take a look, take a listen, she will say. Or on a page quivering with grief, she mentions her own experience, just briefly. But the contrast is so vivid, so profound, that at first I think I am misreading. And that’s the thing. I’m talking quantum leaps here. Some of us find them once in a lifetime. Maybe twice. Lucy makes them regularly. This, for Lucy, is normal. Which defines the artist.
And so.
Her most recent find, for me, was a link to a gardening video, an interview with a woman whose garden is in significant ways quite like mine. Lucy messaged about it in the comments section of my previous post. It is a lovely video.
The subject of the video is a woman across the vast ocean whose garden doesn’t even look like mine. But it is like mine, precisely, in fact. Because, as the interviewer said, this garden is in fact the woman’s “autobiography.” That’s what Lucy understood without seeing my garden. That’s what I have been writing about now for months but had not been able to put into words.
My garden is my autobiography.
Take my cleome. It reminds me of the naturalized azalea strewn throughout the magic woods behind my house growing up. The spiky blooming shrub sprang from the azaleas that lined the old vanished farms back there, left behind with the old wells of crumbling stone that dotted the landscape. And the azalea grew and spread and became something quite different. Hummingbirds love them. And I grow the cleome to remind me.
I also grow coleus, which comes in every color in the imagination and then some. I grow it for V., who took a walk one day near our first apartment near the campus and came back carrying an armful of brilliance. She had admired the brightly colored tropical plant in a yard and the owner gave her a pair of clippers, insisting she take some. We had been nervous about crime, the neighborhood, about striking out on our own outside the safety of the dorm. But the coleus, and the elderly lady who bestowed it, were talismans. And we knew we were safe.
And the rose. I have what I consider the grandest birthday of the entire year — June 21. This is the first day of summer, the longest day of the year. And what better flower to embody this glorious day and season than the rose.
I started planting zinnia seeds after I pulled into the driveway of my mother’s house and there they — waving in the sunlight. Of course, I thought, zinnias! And that’s been the response by so many of the people who make a point to walk by my house in the summer now. To remember the zinnias their grandmothers grew, their mothers, their aunts, even fathers. All those old zinnias grown so many years ago, now brought back to them in my garden and their hearts.
And the Angel’s Trumpet, which I fell for, deeply, hopelessly, the first moment I set eyes on it, at a farm market in my hometown. It didn’t matter that it thrives in warmer climates, like me. That I kept failing at getting it to bloom in northern Virginia’s too cold winters. That it kept dying in the ground. I was possessed by its beauty. Mesmerized. I had to see it through, to help it bloom despite the odds. Because this plant represents me. And in the angel’s sway I am, still.
And one special flower I put in my garden several years ago for no special reason other than I was drawn to it, for the bloom’s unusual nature, for a particular shimmer. This flower is small and unique. It blooms early and stays. It appears to be all white, but when you look closely, you can see a surprise tinge of lavender in the bloom. And at night, the petals glow, luminous.
I’ve never seen another plant like this one — the starburst hydrangea — which I now understand is in my garden for, who else, but Lucy.











































































